Recent travels/work of West Virginia | 2014.


(Reblogged from nicpersinger)

I’m proud to have a rare non-Holga traditional b&w photograph from my 2013 VCCA residency on the cover of the new James Dickey Review—and even more pleased that the issue contains work by some of my favorite contemporary writers. Thanks to Casey Clabough and the staff of this fine literary magazine.

(Reblogged from tammymercure)

Brookgreen Gardens, SC
circa 2004

One of Tammy’s best portfolios and a perfect short essay accompanying it. Congrats to her!



Mardi Gras, that maddest of all mad days when every man may be a king, or, if he prefers, a tramp or a clown or an Indian chief, and dance in the streets. 

New Orleans City Guide (WPA, 1938)

If you didn’t come to party, take your bitch ass home,” shouts the man selling t-shirts on Bourbon Street. He adds, “I have size sexy for the ladies.”

The main street for Carnival Season partying in New Orleans has a distinct aroma—a mix of sweat, crawfish, Daiquiri puke and just-starting-to-rot garbage. All around the senses are assaulted with beads thrown from above, shoes getting stuck to the sticky wash that covers the street, drummers drumming, people shouting and bursts of purple, gold and green. Mardi Gras has been taking place in New Orleans since before 1835. It is a time for the loud, the grotesque, the strange and excess. While this might sound awful, it is intoxicating. The season has lasted all these years because it is what you make it.

Everyone has a different experience because no one is in charge and the celebration spreads throughout the city. If you came to party, you will find one on Bourbon. I saw lots of tits, a couple asses, hundreds of hollow plastic legs dangling around people’s necks filled with red liquor, people tumbling after one too many and too many crazy outfits to count.

The balcony people taunt the crowds below. Some put fancy trinkets on fishing wire to yank the items out of greedy, eager hands. They lay in wait to judge who is deserving of the beads. Sometimes it requires a dance or a flash and sometimes they take pity on a cute nine-year-old who is getting quite an eyeful.

Just one street over, there is the opportunity for family friendly fare. Royal Street, which turns into St. Charles when heading Uptown, is filled with jugglers and street musicians, and is also the main parade route for the bigger parades. Smartly, the first couple rows of people have chairs and right behind, people set up ladders with elaborate boxes for children to sit in for a better view. There is definitely alcohol, but people try to keep it together a little more here.

Quintron and Miss Pussycat are playing at the Spellcaster Lodge with Jello Biafra in attendance and Big Freedia is bouncing at VASO. There are fancy balls with high society that are by invitation only and parades that are solely for the people who know where they start and stop.

It can also be a time for the political. Different Krewes head different parades, all with unique themes for the year. The Krewe d’Etat is known for its biting satire and this year was no different with floats criticizing the sex trade and prison system. The Zulu Parade, that goes through the neighborhood torn apart by the freeway, celebrated the life of Nelson Mandela this year.

For me, Mardi Gras was cruising the city by bicycle and taking in the sites and sounds. The majority of the time it was a delight. Walking and making photographs, I was moved to tears during the Talladega College Marching Band’s version of Get Lucky and was surprised to find how amazing it is to make eye contact with someone on a giant float and catching the beads thrown right at me. And I already miss the smell.

Mark Twain said: “I think that I may say that an American has not seen the United States until he has seen Mardi-Gras in New Orleans.” 

* * *

Tammy Mercure is a State Guide to Tennessee. She was named one of the “100 under 100: The New Superstars of Southern Art” by Oxford American magazine.

Follow on Tumblr at tammymercure or on her website, Support her work at TCB Press.

(Reblogged from americanguide)


I’m going to ride this thing forever.

(Reblogged from nicpersinger)


Throwback Thursday: Kenneth Noland, Black Mountain College, 1950 Summer Session in the Arts. Photograph by Jacqueline Gourevitch.

Join us at 32 East 57th Street tonight from 6pm until 8 pm for the opening of Kenneth Noland: Paintings 1975 - 2003, which will be on view through April 19, 2014.  

(Reblogged from pacegallery)


Excited that this one is now part of the permanent collection at the Ogden Museum of Southern Art in New Orleans. Awesome museum in my favorite city.

Congrats, Tammy!!
(Reblogged from tammymercure)


An excellent lecture by photographer Irina Rozovsky about her work, and the interrelationships between pictures, memory, identity and place. Delivered at the School of Visual Arts, February 25th 2014.

(Reblogged from greatleapsideways)